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<rss version="2.0"><channel><description>Boston&#39;s Premier Online Arts Magazine</description><link>https://bsky.app/profile/theartsfuse.bsky.social</link><title>@theartsfuse.bsky.social - The Arts Fuse</title><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mya23prdjs2f</link><description>Jonathan Blumhofer writes that on his third recording of Benjamin Britten’s three solo cello suites, the Dutch cellist Pieter Wispelwey, brings lucid intensity to their knotty arguments and haunting lyricism.&#xA;&#xA;https://artsfuse.org/336040/classical-music-album-pieter-wispelwey-captures-benjamin-brittens-fierce-beauty/</description><pubDate>19 Oct 2026 11:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mya23prdjs2f</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mya22bh6t22f</link><description>Jason M. Rubin on a new collection of unreleased demos, live performances, and studio recordings that puts Marshall Crenshaw&#39;s enduring pop gifts in the spotlight ahead of his November 11 appearance at Boston CityWinery.&#xA;&#xA;https://artsfuse.org/335603/album-concert-preview-marshall-crenshaw-beyond-the-hits-into-the-archives/</description><pubDate>19 Oct 2026 11:41 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mya22bh6t22f</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my7zxxutxc2f</link><description>Mary Sherman writes that in her haunting installation &#34;Cemetery of the Nameless&#34; at @goetheinstitut.bsky.social Boston, Pınar Öğrenci contemplates displacement, anonymous deaths, and the cruelties that recur across borders and centuries.&#xA;&#xA;https://artsfuse.org/336136/visual-arts-review-at-the-goethe-institut-a-landscape-bears-witness/</description><pubDate>19 Oct 2026 11:40 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my7zxxutxc2f</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my5mipsefk2n</link><description>In this ambitious Czech novel, Radka Denemarková&#39;s &#34;A Contribution to the History of Joy,&#34; a detective’s inquiry into an apparent suicide becomes a meditation on violence against women, historical memory, and the possibility of joy.  From  @coffeehousepress.bsky.social&#xA;&#xA;https://artsfuse.org/336031/book-review-the-swallows-are-watching-radka-denemarkovas-dark-restless-a-contribution-to-the-history-of-joy/</description><pubDate>18 Oct 2026 12:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my5mipsefk2n</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my5ld46nhs2m</link><description>Neil Giordano on &#34;Misty Green&#34;: A stellar Rosalind Eleazar anchors this sour Hollywood parable, but Chris Rock’s performance and an overstuffed screenplay undermine its bite.&#xA;&#xA;https://artsfuse.org/336060/film-review-misty-green-hollywood-dreams-bitter-aftertaste/</description><pubDate>18 Oct 2026 12:13 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my5ld46nhs2m</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my5l6grldc2m</link><description>For Steve Provizer, singer caroll vanwelden’s &#34;Shakespeare Revisited&#34; brings a flexible voice and adventurous textures to the Bard&#39;s sonnets, but its melodies and production too often overwhelm the poetry.&#xA;&#xA;https://artsfuse.org/335918/jazz-album-review-shakespeares-sonnets-jazzed-and-sometimes-overwrought/</description><pubDate>18 Oct 2026 12:10 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my5l6grldc2m</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my5l3nqs722m</link><description>David D&#39;Arcy at the New York Film Festival: Julia Loktev’s six-hour portrait of exiled TV Rain journalists, a tale set in Andrey Zvyagintsev’s corrupt provincial Russia, and Emmanuel Marre’s understated study of collaboration under Nazi occupation.&#xA;&#xA;https://artsfuse.org/336014/film-reviews-escaping-putins-russia-serving-vichy-france-three-films-at-the-new-york-film-festival/?</description><pubDate>18 Oct 2026 12:09 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my5l3nqs722m</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my2zfbyw4k2u</link><description>For Michael Londra, &#34;An Anthology of the Berkeley Renaissance, edited by Ben Mazer and Blake Campbell gives long-overdue shape to an influential but unjustly forgotten chapter in twentieth-century American poetry. #MadHatPress&#xA;&#xA;https://artsfuse.org/335831/book-review-a-berkeley-renaissance-reassembled/</description><pubDate>17 Oct 2026 11:46 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my2zfbyw4k2u</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my2z6udgp22u</link><description>Thomas F. Connolly writes that in her book In &#34;Stalin’s Apostles,&#34; a gripping, clear-eyed account of the infamous Cambridge spy ring, Antonia Senior dismantles the mythology of the gentleman spy, exposing the murderous loyalties behind the old school tie. &#xA;&#xA;https://artsfuse.org/335956/book-review-the-cambridge-five-stripped-of-romance/</description><pubDate>17 Oct 2026 11:43 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my2z6udgp22u</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3my2z4tlspc2u</link><description>Jonathan Blumhofer writes that Rebekah Heller’s new album, &#34;Righteous Rage&#34;, celebrates the power, agility, and surprising expressive breadth of the bassoon. @cantaloupe-music.bsky.social&#xA;&#xA;https://artsfuse.org/336004/classical-music-album-the-righteous-rage-of-the-bassoon/</description><pubDate>17 Oct 2026 11:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3my2z4tlspc2u</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxyk4lcqes2b</link><description>Mark Favermann on the Andres Institute of Art: the organization celebrates the marriage of art and nature each year, with three international artists adding new granite works to the New Hampshire sculpture park.&#xA;&#xA;https://artsfuse.org/335888/visual-arts-feature-where-art-meets-nature-andres-institutes-2026-sculpture-symposium/</description><pubDate>16 Oct 2026 12:08 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxyk4lcqes2b</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxyk2ksbus2b</link><description>In Alex Gibney’s exhaustive but important documentary, writes @pkeough1.bsky.social, Elon Musk emerges as a visionary, a menace, and a man determined to escape the world he has helped imperil.&#xA;&#xA;https://artsfuse.org/335995/doc-talk-the-simulation-according-to-musk/</description><pubDate>16 Oct 2026 12:07 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxyk2ksbus2b</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxyjyrem7k2b</link><description>Jon Garelick writes that, at Harvard, the 82-year-old composer-saxophonist Henry Threadgill joined Vijay Iyer and Dafnis Prieto for a taut, wide-ranging evening of angular melody, open space, and rhythmic surprise.&#xA;&#xA;https://artsfuse.org/335934/concert-and-album-review-threadgill-iyer-and-prieto-fifteen-years-one-distinctive-voice/?</description><pubDate>16 Oct 2026 12:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxyjyrem7k2b</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxvztpkfyc2y</link><description>Ed Perkins’s doc &#34;Clown Panic&#34; deals with a fascinating cultural phenomenon -- America’s 2016 creepy-clown craze -- but @sarahminaosman.bsky.social says the film buries it beneath sweeping analogies and frantic editing. #hulu&#xA;&#xA;https://artsfuse.org/335878/film-review-clown-panic-bring-on-the-clowns-spare-us-the-grand-theory</description><pubDate>15 Oct 2026 12:11 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxvztpkfyc2y</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxvzrvixj22y</link><description>Ed Symkus hails the restoration of &#34;The Devils,&#34; Ken Russell&#39;s provocative 1971 study of politics, religion, and sex in medieval France. It is back on the big screen—with its long-censored footage reinstated.&#xA;&#xA;https://artsfuse.org/335901/film-appreciation-the-devils-the-devils-in-me/</description><pubDate>15 Oct 2026 12:10 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxvzrvixj22y</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxvzp4j7lc2y</link><description>The poem of the week: JosetteAkresh-Gonzales&#39;s “Cop City”&#xA;&#xA;https://artsfuse.org/335948/weekly-feature-poetry-at-the-arts-fuse-186/</description><pubDate>15 Oct 2026 12:09 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxvzp4j7lc2y</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxudvs4nhk26</link><description>Michael Morano on #nathanfielder’s #youcanseeeverything: This head-spinning documentary turns the #theranos saga into a revelatory, Philip K. Dickian inquiry into artifice, identity, and truth. #ElizabethHolmes&#xA;&#xA;https://artsfuse.org/335866/film-review-elizabeth-holmes-replicant/</description><pubDate>14 Oct 2026 20:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxudvs4nhk26</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxudnykcxk26</link><description>@pkeough1.bsky.social on two compelling documentaries in the Boston Palestine Film Festival: one looks at critic #EdwardSaid’s intellectual awakening, the other the unfinished search for justice for Alex Odeh. &#xA;&#xA;https://artsfuse.org/335855/doc-talk-two-exemplary-lives-at-the-boston-palestine-film-festival/</description><pubDate>14 Oct 2026 20:02 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxudnykcxk26</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxthfvqao22g</link><description>This week&#39;s newsletter contains links to Debra Cash&#39;s remembrance of Dance Umbrella founder Jeremy Alliger, Roberta Silman&#39;s appreciation of F Scott Fitzgerald&#39;s &#34;Tender is the Night.&#34; My editorial asks how well—or how badly—have our media covered documentaries, literature, and art about Gaza.</description><pubDate>14 Oct 2026 11:36 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxthfvqao22g</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxthdxumz22g</link><description>@dankennedy.net on the &#34;The People’s Paper: The Rise and Fall of the New York Daily News.&#34; Founded as a sensational tabloid with right-wing, racist sensibilities, the city’s white working-class voice tried to go upscale — and lost to Rupert Murdoch’s sleazier competitor.&#xA;&#xA;artsfuse.org/335819/&#xA;https://artsfuse.org/335819/b</description><pubDate>14 Oct 2026 11:35 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxthdxumz22g</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxthbdlhgs2g</link><description>Noah Goldstein writes that Cristian Mungiu’s Palme d’Or winner &#34;Fjord,&#34; asks whether understanding others requires seeing their side—or questioning our own. At @thecoolidge.bsky.social &#xA;&#xA;https://artsfuse.org/335806/film-review-fjord-puts-conviction-on-trial/</description><pubDate>14 Oct 2026 11:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxthbdlhgs2g</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxqyrph7xk2y</link><description>The Dublin post-punk experimentalists Gilla Band bring songs from their dark new album to Brighton Music Hall. Guitarist Alan Duggan talks to Rob Duguay, and he reflects on the troupe’s evolving creative process and his personal connection to Boston.&#xA;&#xA;https://artsfuse.org/335784/musician-interview-gilla-bands-alan-duggan-talks-pugnello-pedals-and-post-punk-possibilities/</description><pubDate>13 Oct 2026 12:09 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxqyrph7xk2y</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxqymjmijs2y</link><description>For Jeremy Ray Jewell, Asio Liu’s probing documentary &#34;Strangers and Their Babies&#34; uncovers the forgotten history of unlisted Vietnamese “boat people” refugee camps in the Penghu Islands in the Taiwan Strait following the end of the Vietnam War in 1975. https://artsfuse.org/335742/film-review-strangers-and-their-babies-the-people-the-world-didnt-count/</description><pubDate>13 Oct 2026 12:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxqymjmijs2y</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxonqyhcws2w</link><description>Ahead of two Massachusetts shows with Dan Bejar, Neko Case talks to Blake Maddux about producing  the album &#34;Neon Grey Midnight Green,&#34; writing her memoir, composing a &#34;Thelma and Louise&#34; musical, and the toll of streaming on working musicians.&#xA;&#xA;https://artsfuse.org/335696/musician-interview-neko-case-more-of-a-joy-than-a-chore/?</description><pubDate>12 Oct 2026 13:46 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxonqyhcws2w</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxm5o4begc2m</link><description>&#34;Slam Frank&#34; is a satirical entertainment that imagines a progressive regional theater company remaking &#34;The Diary of Anne Frank&#34; as an intersectional, genderqueer, Afro-Latin hip-hop musical. &#xA;&#xA;https://artsfuse.org/335678/theater-review-slam-frank-nobody-is-safe-and-thats-the-point/</description><pubDate>11 Oct 2026 13:53 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxm5o4begc2m</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxm5k7hpkc2m</link><description>Roberta Silman offers a compelling appreciation of #fscottfitzgerald&#39;s most personal novel, &#34;Tender is the Night,&#34; in which a marriage’s collapse becomes a searching exploration of love, ambition, and the courage to begin again.&#xA;&#xA;https://artsfuse.org/335552/book-review-tender-is-the-night-fitzgeralds-novel-of-compassion-and-sacrifice/?</description><pubDate>11 Oct 2026 13:51 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxm5k7hpkc2m</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxjfxsd4222k</link><description>The Boston dance community is reeling. Debra Cash pays homage to Jeremy Alliger, founder of Dance Umbrella Boston. He helped create the National Performance Network and went on to develop a series of international dance projects under the banner of Alliger Arts.&#xA;&#xA;https://artsfuse.org/335638/arts-remembrance-jeremy-alliger-a-complicated-visionary-who-put-dance-first/</description><pubDate>10 Oct 2026 11:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxjfxsd4222k</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxjfuuqumc2k</link><description>Peg Aloi on &#34;Carrie,&#34; Mike Flanagan’s ambitious TV series update of #stephenking’s classic horror tale pairs a superb cast with social media cruelty and an expanding supernatural world that sometimes overwhelms the story.&#xA;&#xA;https://artsfuse.org/335622/watch-closely-carrie-comes-of-age-and-gets-complicated/?</description><pubDate>10 Oct 2026 11:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxjfuuqumc2k</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxgwu3kwo224</link><description>In the taut Southern Gothic thriller &#34;Covenant&#34; (at the SpeakEasyStage Company) writes Susan Saccoccia, thwarted longing and the promise of escape turn a Georgia household into a cauldron of suspicion.&#xA;&#xA;https://artsfuse.org/335531/theater-review-in-speakeasys-covenant-the-devil-is-in-the-desires/</description><pubDate>09 Oct 2026 12:08 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxgwu3kwo224</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mxgwrhitns24</link><description>At New York’s Art Students League, writes David D&#39;Arcy, Robert Cenedella’s grotesque group portrait &#34;Immigrants Are Poisoning the Blood of America&#34; turns the #MAGA elite into a gathering of horned grotesques.&#xA;&#xA;https://artsfuse.org/335501/visual-arts-review-the-art-bastard-returns-with-trump-and-company-in-hell/</description><pubDate>09 Oct 2026 12:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mxgwrhitns24</guid></item></channel></rss>