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<rss version="2.0"><channel><description>Boston&#39;s Premier Online Arts Magazine</description><link>https://bsky.app/profile/theartsfuse.bsky.social</link><title>@theartsfuse.bsky.social - The Arts Fuse</title><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvkojixosk2e</link><description>@aaronkeebaugh.bsky.social on the Rhode Island Philharmonic Orchestra: it will perform the world premiere of a violin concerto by Eric Nathan -- the piece was shaped by a New Year’s Eve encounter with Ukrainian refugees and the consoling force of “Amazing Grace.”&#xA;&#xA;https://artsfuse.org/334301/classical-music-preview-eric-nathans-violin-concerto-finds-hope-on-a-mountain/</description><pubDate>15 Sep 2026 12:59 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvkojixosk2e</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvklsqtvos2p</link><description>For Mark Favermann, @capeannmuseum.bsky.social&#39;s revelatory exhibition, &#34;By the Sea&#34; illuminates how American artists Milton Avery, Adolph Gottlieb, and Mark Rothko turned the Gloucester shore into a language of abstraction.&#xA;&#xA;https://artsfuse.org/334340/visual-arts-review-gloucester-light-lasting-friendship-avery-gottlieb-rothko/</description><pubDate>15 Sep 2026 12:10 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvklsqtvos2p</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvklp3ouws2p</link><description>In &#34;The Rouse,&#34; a monumental, politically charged epic, writes Dan Dellechiaie, novelist China Miéville turns Cold War imperialism, government secrecy, and the limits of human understanding into a haunting story of weaponized ghosts. &#xA;&#xA;https://artsfuse.org/333806/book-review-the-ghosts-of-empire-in-china-mievilles-the-rouse/</description><pubDate>15 Sep 2026 12:08 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvklp3ouws2p</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvklhf2la22p</link><description>Peg Aloi on &#34;Practical Magic 2&#34;: Sandra Bullock and  Nicole Kidman return to the Owens family in a handsome, fan-friendly follow-up whose appealing cast and witchy atmosphere cannot overcome a disjointed, derivative script.&#xA;https://artsfuse.org/334320/film-review-practical-magic-2-a-stumbling-sequel/</description><pubDate>15 Sep 2026 12:04 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvklhf2la22p</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvhztqgdas2x</link><description>Jason M. Rubin was delightfully surprised. Joined by the Emerson Lake &amp; Palmer Legacy band and archival footage of Keith Emerson and Greg Lake, drummer Carl Palmer delivered a technically astonishing and emotionally respectful evening at the Cabot Theatre.&#xA;&#xA;https://artsfuse.org/334291/concert-review-carl-palmers-emerson-lake-palmer-tribute-defies-skepticism/</description><pubDate>14 Sep 2026 11:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvhztqgdas2x</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvhzqv3a6s2x</link><description>Allen Michie on Christopher Seufert’s &#34;Memento Gorey&#34;: Drawn from Seufert’s work on a documentary feature, the volume gathers his conversations with #edwardgorey, along with interviews with the artist’s friends, collaborators, and admirers. &#xA;&#xA;https://artsfuse.org/334278/book-review-edward-gorey-up-close-and-not-quite-in-focus/</description><pubDate>14 Sep 2026 11:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvhzqv3a6s2x</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvfmkrgdyk2r</link><description>Leigh Rastivo writes that a new edition of Thom Gunn&#39;s &#34;The Man with Night Sweats&#34; brings the poet’s formal restraint, domestic intimacy, and unsparing attention to individual loss in these AIDS elegies into sharper focus. @fsgbooks.bsky.social&#xA;&#xA;https://artsfuse.org/334096/poetry-review-thom-gunns-aids-elegies-still-refuse-abstraction/</description><pubDate>13 Sep 2026 12:41 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvfmkrgdyk2r</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvcz2cxftk2z</link><description>Tom Connolly writes that a new annotated translation of Alexander Herzen&#39;s magnificent &#34;Past &amp; Thoughts&#34; brings his penetrating critique of tyranny, populism, and political extremism to American readers. @harvardpress.bsky.social &#xA;&#xA;https://artsfuse.org/334168/book-review-alexander-herzens-future-has-arrived/</description><pubDate>12 Sep 2026 11:46 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvcz2cxftk2z</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvcyxmpndk2z</link><description>In his album&#34;Silent Depths,&#34; writes Jonathan Blumhofer, composer Kristian Sensini responds to the suffering of civilians in the West Bank and Gaza with sincere, accessible music that ultimately needs greater tension and complexity.&#xA;&#xA;https://artsfuse.org/334181/classical-music-album-review-the-limits-of-musical-consolation/</description><pubDate>12 Sep 2026 11:45 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvcyxmpndk2z</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvairanig223</link><description>@pkeough1.bsky.social recommends Orlando von Einsiedel’s documentary &#34;The Cycle of Love&#34; -- it follows an Indian portrait artist’s extraordinary bicycle journey from Delhi to Sweden—and the improbable love story that inspired it.&#xA;&#xA;https://artsfuse.org/334154/doc-talk-the-cycle-of-love-tour-de-romance/</description><pubDate>11 Sep 2026 11:49 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvairanig223</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mvaiobgpds23</link><description>Jonathan Blumhofer writes that in &#34;24 American Caprices,&#34; Curtis Stewart transforms two dozen American songs into inventive, virtuosic studies for solo violin. &#xA;&#xA;https://artsfuse.org/334145/classical-music-album-the-american-songbook-recast-for-solo-violin/</description><pubDate>11 Sep 2026 11:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mvaiobgpds23</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv62yzrfbc2f</link><description>Bob Abelman on King Rchard&#39;s Faire, which is New England’s largest and oldest Medieval-era entertainment. The event serves as an intriguing case study of countercultural expression and commercialized theatrical spectacle.&#xA;&#xA;https://artsfuse.org/334052/performing-arts-feature-huzzah-renaissance-faires-as-immersive-theater/</description><pubDate>10 Sep 2026 12:38 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv62yzrfbc2f</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv62viyc2k2f</link><description>This week’s poem: Zachary Bos’s “Sonnet Nearly Forty-Five&#34;&#xA;&#xA;https://artsfuse.org/334114/weekly-feature-poetry-at-the-arts-fuse-181/</description><pubDate>10 Sep 2026 12:36 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv62viyc2k2f</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv4ilmkxj22t</link><description>For Steve Provizer, Robert Dattoli’s &#34;Boomer Madness&#34; recounts a picaresque journey through sex, drugs, work, protest, and the cultural upheavals of postwar America—but its reflections on the generation often prove less compelling than its adventures.&#xA;&#xA;https://artsfuse.org/334066/book-review-a-life-lived-at-the-boomer-crossroads/</description><pubDate>09 Sep 2026 21:36 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv4ilmkxj22t</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv4ifgch3s2t</link><description>RHINO’s reissues of &#34;Best I ...&#34; and &#34;... Best II,&#34; writes Trevor Fairbrother, reveal the breadth of The Smiths’ music and the striking parallels between Steven Morrissey and Andy Warhol.&#xA;&#xA;https://artsfuse.org/334080/rock-album-review-the-smiths-best-i-and-best-ii-compilations-revisited-in-a-warholian-light/</description><pubDate>09 Sep 2026 21:32 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv4ifgch3s2t</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv3grlobxc2k</link><description>This week’s newsletter is out, with links to interviews with Graham Nash and Tom Perrotta; reviews of &#34;Picasso, Miró, Dalí: Unbound&#34; at the Museum of Fine Arts; and a biography of W. H. Auden. Plus, my column asks: Will we let AI bots do our reading for us?&#xA;&#xA;https://artsfuse.substack.com/p/the-bots-are-coming-for-the-books</description><pubDate>09 Sep 2026 11:30 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv3grlobxc2k</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv3goibqmc2k</link><description>Robert Israel at the #TanglewoodMusicFestival: Two generations of artists -- Alabama Shakes and Mavis Staples-- joined forces in a rousing concert of gospel, rock, resistance, and solidarity.&#xA;&#xA;https://artsfuse.org/333996/concert-review-mavis-staples-and-alabama-shakes-turn-tanglewood-into-an-army-of-love/</description><pubDate>09 Sep 2026 11:29 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv3goibqmc2k</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mv3gkxrtds2k</link><description>Cyrisse Jaffee on two lively picture books that invite children to discover the creativity, collaboration, and wonder behind the books they love.&#xA;&#xA;https://artsfuse.org/333981/childrens-book-reviews-hurray-for-books/</description><pubDate>09 Sep 2026 11:27 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mv3gkxrtds2k</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3muywoauuhc2a</link><description>@pkeough1.bsky.social  on “Filipiñana”: Rafael Manuel’s dazzling debut film turns a fantastical Philippine golf resort into a miniature world of caste, exploitation, and resistance. @brattletheatre.bsky.social, Sept 11-16&#xA;&#xA;https://artsfuse.org/333968/film-review-filipinanas-fairway-to-hell/</description><pubDate>08 Sep 2026 11:37 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3muywoauuhc2a</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3muywis2vmk2a</link><description>Ed Meek writes that Joshua Frank&#39;s book &#34;Bad Energy&#34;(Haymarket Books) offers an incisive account of the environmental and human costs of “green” development — even if his sweeping skepticism leaves readers wondering what practical climate action should look like.&#xA;&#xA;https://artsfuse.org/333550/book-review-bad-energy-makes-a-forceful-case-against-green-capitalism/</description><pubDate>08 Sep 2026 11:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3muywis2vmk2a</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3muwjsduhqs2p</link><description>Happy Labor Day! Preston Gralla puts a personal spin on his review of Simon Paré-Poupart&#39;s &#34;Trash: A Garbageman&#39;s Story.&#34; It is the best travelogue you’ll ever read about a place you’ll never want to visit but want to experience vicariously. @melvillehouse.bsky.social &#xA;&#xA;https://artsfuse.org/333934/book-review-the-wild-dirty-dignified-world-of-garbage-collection/</description><pubDate>07 Sep 2026 12:41 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3muwjsduhqs2p</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mutzq3zdfs2a</link><description>Paul Robicheau at Groton Hill Music: With Chris Thile, Blake Mills, Matt Chamberlain, John Davis, and A Far Cry, pianist Brad Mehldau transformed Elliott Smith’s songs into an expansive blend of jazz, indie folk, and chamber music.&#xA;&#xA;https://artsfuse.org/333895/jazz-concert-review-brad-mehldaus-elliott-smith-tribute-finds-light-in-the-darkness-at-groton-hill/</description><pubDate>06 Sep 2026 12:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mutzq3zdfs2a</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3murgu7ki6c2n</link><description>Michael Londra reviews Peter Ackroyd’s breezy biography, &#34;Auden&#34; (@reaktionbooks.bsky.social). The volume captures the poet’s divided nature—but leaves his political and poetic reversals largely unexplored.&#xA;&#xA;https://artsfuse.org/333847/book-review-the-contradictory-voice-of-w-h-auden/</description><pubDate>05 Sep 2026 12:05 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3murgu7ki6c2n</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3murgr5whgc2n</link><description>At 84, singer-songwriter Graham Nash discusses, with Jason M. Rubin, a lifetime of harmony, activism, loss, and why songs of peace and protest remain urgently necessary. &#xA;&#xA;https://artsfuse.org/333486/musician-interview-graham-nash-still-has-something-to-say/</description><pubDate>05 Sep 2026 12:04 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3murgr5whgc2n</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3muowo2v3gc2w</link><description>Scott McLennan has high praise for the @tedeschitrucksband.bsky.social at the #TanglewoodMusicFestival: Derek Trucks, Susan Tedeschi, and their 12-piece ensemble moved effortlessly from blues and soul to free jazz, psychedelia, and a deeply felt “Ohio.”&#xA;&#xA;https://artsfuse.org/333832/concert-review-at-tanglewood-tedeschi-trucks-band-turns-its-debut-into-a-sweeping-musical-journey/</description><pubDate>04 Sep 2026 12:10 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3muowo2v3gc2w</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3muowkiysac2w</link><description>In a revised study of the celebrated sixteenth-century painter,  writes Kathleen C Stone, Michael W. Cole traces how family support, artistic training, and scholarly revision shaped Sofonisba Anguissola&#39;s legacy. @princetonupress.bsky.social &#xA;&#xA;https://artsfuse.org/333758/book-review-sofonisba-anguissola-and-the-art-of-attribution/</description><pubDate>04 Sep 2026 12:08 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3muowkiysac2w</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mume24iccc2o</link><description>Ralph Locke writes that conductor Arnold Östman’s first complete recording of &#34;Tirfing&#34; makes a powerful case for Wilhelm Stenhammar’s long-neglected Norse opera—despite the intrusive directorial alterations preserved from Malmö Opera’s 2011 staging.&#xA;&#xA;artsfuse.org/333672/</description><pubDate>03 Sep 2026 11:32 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mume24iccc2o</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mumdthqxdk2o</link><description>For Lauren Kaufmann, the Museum of Fine Arts, Boston exhibition &#34;Picasso, Miro, Dali: Unbound&#34; brings viewers close to the remarkable printed books in which Spanish modernists and French writers fused art and literature.&#xA;&#xA;https://artsfuse.org/333728/visual-arts-review-picasso-miro-dali-between-their-pages/</description><pubDate>03 Sep 2026 11:28 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mumdthqxdk2o</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mujxso2lk22q</link><description>The newsletter is out, with links to reviews of Sara Bareilles&#39;s new album and the horror-comedy &#34;Buddy.&#34; My editorial wonders why it is so hard for foundations and other powers-that-be to admit that organized labor is part of the creative economy.&#xA;&#xA;https://artsfuse.substack.com/p/are-unions-part-of-the-creative-economy</description><pubDate>02 Sep 2026 12:47 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mujxso2lk22q</guid></item><item><link>https://bsky.app/profile/theartsfuse.bsky.social/post/3mujxnkcqqc2q</link><description>Preston Gralla talks to Tom Perrotta: In a new novel set in a 1970s New Jersey suburb, the Belmont-based author revisits childhood, racial segregation, masculine stoicism, and a past that cannot be remembered honestly without its shadows.&#xA;&#xA;https://artsfuse.org/333712/local-author-interview-tom-perrotta-on-ghost-town-grief-and-the-perils-of-nostalgia/</description><pubDate>02 Sep 2026 12:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:2k7pmptxnruziksofjdmw2cm/app.bsky.feed.post/3mujxnkcqqc2q</guid></item></channel></rss>