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<rss version="2.0"><channel><description>Britain&#39;s leading monthly literary magazine. For people who devour books. Read our latest: literaryreview.co.uk&#xA;&#xA;Get our free newsletter: http://eepurl.com/daK84f</description><link>https://bsky.app/profile/litreview.bsky.social</link><title>@litreview.bsky.social - Literary Review</title><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mllfiqfmd22s</link><description>For years, the classical tradition has trained female musicians to do away with their vocal break, smoothing it over in the quest for an idealised tone.&#xA;&#xA;@marenmein.bsky.social explores the politics and ideas that have controlled the female voice.&#xA;&#xA;https://literaryreview.co.uk/while-the-music-lasts</description><pubDate>11 May 2026 13:38 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mllfiqfmd22s</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mlbjrxxssk2n</link><description>Dogs are everywhere in art, at the feet of scholars and St Jeromes, posing with their owners and striding through Paris.&#xA;&#xA;What can we learn about ourselves, Kirsten Tambling wonders, from the ways we depict our animal companions?&#xA;&#xA;https://literaryreview.co.uk/artists-best-friend</description><pubDate>07 May 2026 15:28 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mlbjrxxssk2n</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3ml6zksnhlc2a</link><description>Out now! Literary Review&#39;s May 2026 issue, featuring&#xA;&#xA;Ritchie Robertson on Weimar&#xA;@chasd2.bsky.social on Louise Bourgeois&#xA;John Guy on the Tudors&#xA;Kirsten Tambling on dogs in art&#xA;@nixonsimon.bsky.social on private equity&#xA;&#xA;and much, much more: literaryreview.co.uk</description><pubDate>06 May 2026 15:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3ml6zksnhlc2a</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mjwnob5ijc2h</link><description>From Alexandra’s lace and pearls to Elizabeth II’s technicolour tweeds, royal attire has long projected continuity and control. Wendy Holden finds the craftsmen behind it all.&#xA;&#xA;https://literaryreview.co.uk/sovereign-style</description><pubDate>20 Apr 2026 14:13 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mjwnob5ijc2h</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mhzylcdqss2g</link><description>Antiquary, biographer, folklorist and natural philosopher John Aubrey was born in this month four hundred years ago. &#xA;&#xA;To mark his quadricentennial, Peter Davidson reflects on Aubrey’s legacy.&#xA;&#xA;https://literaryreview.co.uk/speaking-through-the-ages</description><pubDate>27 Mar 2026 11:16 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mhzylcdqss2g</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mhgl5hxki22p</link><description>In 1971 George Lucas wandered upstairs at Francis Ford Coppola’s party to watch a film called Duel. By the first commercial break he was convinced: director Steven Spielberg possessed rare talent.&#xA;&#xA;Graham Daseler reflects on these three men.&#xA;&#xA;literaryreview.co.uk/19715-2&#xA;https://literaryreview.co.uk/19715-2</description><pubDate>19 Mar 2026 17:55 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mhgl5hxki22p</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3meqdzx7ju22j</link><description>Despite adopting a pseudonym, George Sand lived much of her life in public view.&#xA;&#xA;Lucasta Miller asks whether Sand’s fame has obscured her work.&#xA;&#xA;https://literaryreview.co.uk/life-work-adoration</description><pubDate>13 Feb 2026 10:59 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3meqdzx7ju22j</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mdvcs342gs2i</link><description>Out now! Literary Review&#39;s February 2026 issue, featuring&#xA;&#xA;Norma Clarke on Charlie Chaplin’s London&#xA;Richard Bourke on revolutions&#xA;Lucasta Miller on George Sand&#xA;Peter Davidson on Constable &#xA;@phmarliere.bsky.social on far-right France&#xA;&#xA;and much, much more: literaryreview.co.uk</description><pubDate>02 Feb 2026 16:55 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mdvcs342gs2i</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mcsazv6xq22c</link><description>Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure. &#xA;&#xA;Sophie Oliver introduces us to a young Peggy.&#xA;&#xA;https://literaryreview.co.uk/ms-fixits-characteristics</description><pubDate>19 Jan 2026 18:20 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mcsazv6xq22c</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mcamhrxoks2w</link><description>For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.&#xA;&#xA;@dorianlynskey.bsky.social wonders what is to be done. &#xA;&#xA;https://literaryreview.co.uk/doublethink-doubt</description><pubDate>12 Jan 2026 17:57 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mcamhrxoks2w</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mboeawgj4c2x</link><description>The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.&#xA;&#xA;Peter Marshall paints a picture of the artist himself.&#xA;&#xA;literaryreview.co.uk/varnish-virtue&#xA;https://literaryreview.co.uk/varnish-virtue</description><pubDate>05 Jan 2026 11:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mboeawgj4c2x</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3mb53iqpyis24</link><description>The latest volume of T S Eliot’s letters, covering 1942–44, reveals a constant stream of correspondence. By contrast, his poetic output was negligible.&#xA;&#xA;Robert Crawford ponders if Eliot the poet was beginning to be left behind.&#xA;&#xA;https://literaryreview.co.uk/advice-to-poets</description><pubDate>29 Dec 2025 14:50 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3mb53iqpyis24</guid></item><item><link>https://bsky.app/profile/litreview.bsky.social/post/3may3nn2yzk2b</link><description>Jacques-Louis David immortalised Jean-Paul Marat as a serene martyr in a bathtub, but his life was spent in furious activity. David Andress considers the fruits of Marat&#39;s wild energy.&#xA;&#xA;https://literaryreview.co.uk/exquisite-corpse-2</description><pubDate>27 Dec 2025 15:09 +0000</pubDate><guid isPermaLink="false">at://did:plc:5kmhttec5dxcgis3karx2v63/app.bsky.feed.post/3may3nn2yzk2b</guid></item></channel></rss>