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<rss version="2.0"><channel><description>Founded in 1974, Critical Inquiry is an interdisciplinary, peer-reviewed journal devoted to the best critical thought in the arts and humanities.</description><link>https://bsky.app/profile/criticalinquiry.bsky.social</link><title>@criticalinquiry.bsky.social - Critical Inquiry</title><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3muqaehuk2s2g</link><description>&#34;Paralleling an exponential expansion of book knowledge, these specimens spurred a wholesale revamp of media systems for organizing, indexing, and storing samples and information.&#34;&#xA;&#xA;From our new issue, read Tung-Hui Hu&#39;s &#34;Grids and Bags&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/742475</description><pubDate>05 Sep 2026 00:36 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3muqaehuk2s2g</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mungmuhefk2s</link><description>&#34;Magarik reads Adam, Raphael, and Michael as character-narrators whose fallible narration is an essential part of Milton’s project of accommodation.&#34;&#xA;&#xA;New in review, Eve Houghton on Raphael Magarik&#39;s Fictions of God: https://criticalinquiry.uchicago.edu/eve_houghton_reviews_fictions_of_god/</description><pubDate>03 Sep 2026 21:50 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mungmuhefk2s</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3munglbnerq2e</link><description>&#34;A hybrid subjectivity is emerging on the horizon of the twenty-first century.&#34; Read Franco “Bifo” Berardi&#39;s &#34;The Bitter Cup&#34; on the CI blog.&#xA;https://critinq.wordpress.com/2026/09/03/the-bitter-cup-notes-about-artificial-intelligence-and-natural-stupidity/</description><pubDate>03 Sep 2026 21:50 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3munglbnerq2e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mug6e6l2u22p</link><description>&#34;Hooke’s complex engagement with obviousness directly informs his various declarations of intellectual property.&#34;&#xA;&#xA;From our new issue, read Violet Spurlock&#39;s &#34;An Anatomy of Obviousness&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/742478</description><pubDate>01 Sep 2026 00:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mug6e6l2u22p</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3muihdhtel225</link><description>Autumn issue is out now! &#xA;&#xA;Featuring essays by Violet Spurlock, Tung-Hui Hu, Jessica Sherrill, Grace Lavery, Garrett Stewart, George Baker, Martha Schwendener, and Vilém Flusser&#xA;&#xA;https://criticalinquiry.uchicago.edu/past_issues/issue/autumn_2026/</description><pubDate>01 Sep 2026 22:20 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3muihdhtel225</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mug6e6l2u22p</link><description>&#34;Hooke’s complex engagement with obviousness directly informs his various declarations of intellectual property.&#34;&#xA;&#xA;From our new issue, read Violet Spurlock&#39;s &#34;An Anatomy of Obviousness&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/742478</description><pubDate>01 Sep 2026 00:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mug6e6l2u22p</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mu6gzcwvqc2e</link><description>&#34;I do not think that the historical-political crisis that faces we trans people is merely allegorical; on the contrary, it is, always, embodied and symbolic, material and discursive.&#34;&#xA;&#xA;From our new issue, read Emily McAvan&#39;s &#34;Off the Clock&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741136</description><pubDate>28 Aug 2026 22:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mu6gzcwvqc2e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mu3vb4k54c2e</link><description>&#34;Their guiding question is how art and literature employ devices of both attraction and distance to induce empathic alignment with negative phenomena.&#34;&#xA;&#xA;Fredrik Renard on Stefano Ercolino and Massimo Fusillo&#39;s Negative Empathy in Literature and the Arts: https://criticalinquiry.uchicago.edu/fredrik_renard_reviews_negative_empathy_in_literature_and_the_arts/</description><pubDate>27 Aug 2026 22:24 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mu3vb4k54c2e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mtuegjdzqc2g</link><description>&#34;The cis are anxious about the way the binary language of sex won’t stay put. To be trans is to confront them with that anxiety.&#34;&#xA;&#xA;From our new issue, read McKenzie Wark&#39;s &#34;Miss Destiny&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741138</description><pubDate>24 Aug 2026 22:35 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mtuegjdzqc2g</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mr3wn43gos2e</link><description>Over the next few days on the CI blog, we are presenting &#34;Libidinal Investments in Fascist Politics,&#34; featuring essays by Lisa Wedeen, Jason Frank, and William Mazzarella.&#xA;https://critinq.wordpress.com/2026/07/20/libidinal-investments-in-fascist-politics/</description><pubDate>20 Jul 2026 18:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mr3wn43gos2e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mtmxnaudns26</link><description>&#34;Following 1948, the Palestinian narrative was largely based on describing the Nakba as a culminating event that destroyed an entire society in a single stroke.&#34;&#xA;&#xA;From our new issue, read Maurice Ebileeni&#39;s &#34;Digital Palestine and the National Imagination&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741164</description><pubDate>21 Aug 2026 23:57 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mtmxnaudns26</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mtkb5leka22q</link><description>&#34;Affect theory has become, Downing says, the dominant episteme of our time, which is not to the collective good.&#34;&#xA;&#xA;New in review, Laura Kipnis on Lisa Downing&#39;s Against Affect: https://criticalinquiry.uchicago.edu/laura_kipnis_reviews_against_affect/</description><pubDate>20 Aug 2026 22:09 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mtkb5leka22q</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mtcvblnpw22e</link><description>&#34;The Euro-American thrift culture that Nesbit invokes was a response in the 1970s to depressed wages in a culture saturated by an abundance of desirable images and goods.&#34;&#xA;&#xA;From our new issue, read Chris Reitz&#39;s &#34;Szene New York&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741163</description><pubDate>17 Aug 2026 23:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mtcvblnpw22e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mt3dtufauk2z</link><description>&#34;This study departs from the artefactual and structural properties of the artistic object &#39;towards literature and art as a case of human agency.&#39;&#34;&#xA;&#xA;New in review, Senida Poenariu on Patricia Kolaiti&#39;s Literature and Art as Cognitive Objects: https://criticalinquiry.uchicago.edu/senida_poenariu_reviews_literature_and_art_as_cognitive_objects/</description><pubDate>14 Aug 2026 23:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mt3dtufauk2z</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3msrdy7pgo22k</link><description>&#34;As exemplified by the workers at the Walla Walla Foundry, a person need not have formal academic training to be deeply knowledgeable of how art works in a practical sense.&#34;&#xA;&#xA;From our new issue, read Hannah Cohen&#39;s &#34;Production Value&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741268</description><pubDate>11 Aug 2026 00:23 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3msrdy7pgo22k</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3msjkvx4qo22g</link><description>&#34;Political Romanticism extends Schmitt’s attack on the individual and quarantines political subjectivity under the name Romanticism.&#34;&#xA;&#xA;From our new issue, Alexander Freer&#39;s &#34;Carl Schmitt, Romanticism, and Political Form&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741140</description><pubDate>07 Aug 2026 22:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3msjkvx4qo22g</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3msh3ta25uc24</link><description>&#34;The book posits hydrojustice as the immanent condition of bodies of water—human, nonhuman, geological, celestial—flowing along and apart from one another.&#34;&#xA;&#xA;New in review, Sandip Sarkar on Andreas Philippopoulos-Mihalopoulos&#39;s Hydrojustice: https://criticalinquiry.uchicago.edu/sandip_sarkar_reviews_hydrojustice/</description><pubDate>06 Aug 2026 22:31 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3msh3ta25uc24</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3ms7nbbkoic2w</link><description>&#34;Esports . . . are crucial in understanding the continuity between racialized, outsourced &#39;sweatshop&#39; labor and high-tech but no less exploitative forms.&#34;&#xA;&#xA;From our new issue, read Tara Fickle&#39;s &#34;Asian/American Esports&#34;: https://www.journals.uchicago.edu/doi/full/10.1086/741258</description><pubDate>03 Aug 2026 23:22 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3ms7nbbkoic2w</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mry4lw22gc25</link><description>&#34;Modern American poetry, she argues, reasons inductively rather than deductively, moving from particulars towards provisional generalities rather than letting a governing intuition shine through it.&#34;&#xA;&#xA;Sneha Chowdhury on Johanna Winant&#39;s Lyric Logic: https://criticalinquiry.uchicago.edu/sneha_chowdhury_reviews_lyric_logic/</description><pubDate>31 Jul 2026 23:35 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mry4lw22gc25</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mrxs3q52ps2f</link><description>Autumn issue is coming soon! Vilém Flusser on cover.</description><pubDate>31 Jul 2026 20:27 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mrxs3q52ps2f</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mrgllwjtks2y</link><description>&#34;The painting is calculated to engage our amazement . . . by its very immensity and boldness; it is spectacular, and we are enchanted by the spectacle.&#34;&#xA;&#xA;Remembering Joel Snyder: read &#34;&#39;Las Meninas&#39; and the Mirror of the Prince,&#34; Free Access on CI: https://www.journals.uchicago.edu/doi/10.1086/448307</description><pubDate>25 Jul 2026 00:15 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mrgllwjtks2y</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mrdvfkmiv22b</link><description>&#34;If This Be Magic evinces a welcome and wholly unsubtle cosmopolitanism which is also on show in Hahn’s treatment of English as a multipolar language.&#34;&#xA;&#xA;New in review, Chenxin Jiang on Daniel Hahn&#39;s If This Be Magic: https://criticalinquiry.uchicago.edu/chenxin_jiang_reviews_if_this_be_magic/</description><pubDate>23 Jul 2026 22:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mrdvfkmiv22b</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mrapdrj6pv2s</link><description>&#34;A specter is haunting the economy—Or maybe it’s a phantasm?&#34; Read William Mazzarella&#39;s &#34;What Economy?&#34; on the CI blog.&#xA;https://critinq.wordpress.com/2026/07/22/what-economy/</description><pubDate>22 Jul 2026 16:06 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mrapdrj6pv2s</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mr67c3b5pl2m</link><description>&#34;What unites counterrevolutionaries is not necessarily a shared political vision or ideological program but rather mutual opposition to egalitarian movements.&#34; Read Jason Frank&#39;s &#34;Carnality and the Counterrevolution&#34; on the CI blog.&#xA;https://critinq.wordpress.com/2026/07/21/carnality-and-the-counterrevolution/</description><pubDate>21 Jul 2026 16:14 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mr67c3b5pl2m</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mr4hyzgwgk2s</link><description>&#34;The art of Rembrandt or Michelangelo can, for example, only be characterized by trying to qualify their position . . . outside the line of objectivism and subjectivism.&#34;&#xA;&#xA;Remembering Joel Snyder: Read &#34;The Concept of Artistic Volition,&#34; Free Access on CI: https://www.journals.uchicago.edu/doi/10.1086/448138</description><pubDate>20 Jul 2026 23:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mr4hyzgwgk2s</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mr3xx5nynx2b</link><description>&#34;Trump arouses and manages his followers’ desire for revenge in a process psychoanalysts might describe as adjacent to jouissance.&#34; Read Lisa Wedeen&#39;s &#34;Fascist Temptations in the Era of Trump&#34; on the CI blog.&#xA;https://critinq.wordpress.com/2026/07/20/fascist-temptations-in-the-era-of-trump/</description><pubDate>20 Jul 2026 18:57 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mr3xx5nynx2b</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mr3wn43gos2e</link><description>Over the next few days on the CI blog, we are presenting &#34;Libidinal Investments in Fascist Politics,&#34; featuring essays by Lisa Wedeen, Jason Frank, and William Mazzarella.&#xA;https://critinq.wordpress.com/2026/07/20/libidinal-investments-in-fascist-politics/</description><pubDate>20 Jul 2026 18:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mr3wn43gos2e</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mqsdobmszk2u</link><description>&#34;He apparently excused his own haughtiness and abuses in the name of poetry rooted in the blood and ashes of fascism.&#34;&#xA;&#xA;New in review, Bruce J. Krajewski on Anna Arno&#39;s Paul Celan: A Life, translated by Soren Gauger: https://criticalinquiry.uchicago.edu/bruce_j_krajewski_reviews_paul_celan_a_life/</description><pubDate>16 Jul 2026 23:00 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mqsdobmszk2u</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mqkupscjnc2n</link><description>&#34;Had Velazquez stood peering into the room exactly opposite the doorway figure . . . he could not possibly have seen himself in the mirror.&#34;&#xA;&#xA;Remembering Joel Snyder - read &#34;Reflexions on &#39;Las Meninas,&#39;&#34; Free Access at CI: https://www.journals.uchicago.edu/doi/10.1086/448107</description><pubDate>13 Jul 2026 23:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mqkupscjnc2n</guid></item><item><link>https://bsky.app/profile/criticalinquiry.bsky.social/post/3mqkule5dgc2n</link><description>&#34;Had Velazquez stood peering into the room exactly opposite the doorway figure . . . he could not possibly have seen himself in the mirror.&#34;&#xA;&#xA;Remembering Joel Snyder - read &#34;Reflexions on &#39;Las Meninas,&#39;&#34; Free Access at CI: https://www.journals.uchicago.edu/doi/10.1086/448107</description><pubDate>13 Jul 2026 23:41 +0000</pubDate><guid isPermaLink="false">at://did:plc:ode4z3mkwp6eznnc6rxoj2x3/app.bsky.feed.post/3mqkule5dgc2n</guid></item></channel></rss>