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<rss version="2.0"><channel><description>Audiovisual thoughts about audiovisual arts. Filmscalpel creates, collects and curates video essays at www.filmscalpel.com</description><link>https://bsky.app/profile/filmscalpel.bsky.social</link><title>@filmscalpel.bsky.social - Filmscalpel</title><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3ltypft5jp22b</link><description>“We can now steal all your creative work. And share it with other thieves”. WeTransfer’s new terms of service are as brazen as they are despicable. &#xA;&#xA;I just deleted my professional account.</description><pubDate>15 Jul 2025 10:35 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3ltypft5jp22b</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lsod6tqy4s2j</link><description>I Know What You’ll Do This Summer.&#xA;&#xA;[contains quote post or other embedded content]</description><pubDate>28 Jun 2025 14:05 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lsod6tqy4s2j</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3loglmzhcj22j</link><description>Implement a 100% tariff and ruin a movie. &#xA;&#xA;Seventeen&#xA;&#xA;[contains quote post or other embedded content]</description><pubDate>05 May 2025 14:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3loglmzhcj22j</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3ll2tqeoqd22m</link><description>How does Kevin Costner&#39;s 1991 Robin Hood remember Disney&#39;s 1973 version of the outlaw? How does that one, in turn, remember Errol Flynn&#39;s 1938 incarnation? Why is Ridley Scott&#39;s 2010 take on the character forgettable? &#xA;@jemsaunders1.bsky.social jogs her memory in this nostalgia-inducing video essay.&#xA;https://vimeo.com/959810774</description><pubDate>23 Mar 2025 18:12 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3ll2tqeoqd22m</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfxjgzjrlc2y</link><description>Friends Down Under: my video essay / short film MALE GAZING is playing at the ninth edition of the CAPRICORN FILM FESTIVAL in Yeppoon, Australia. &#xA;This Saturday 18th and Sunday 19th January it is part of CAPS EXPERIMENTAL, a short form video art selection.&#xA;More here: www.capricornfilmfestival.org&#xA;https://www.capricornfilmfestival.org/capsexperimental</description><pubDate>17 Jan 2025 19:23 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfxjgzjrlc2y</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfrvrpgigk2r</link><description>GETTY ABORTIONS explores Getty&#39;s stock image databases and finds that the photos used to illustrate abortion are very stereotypical. Franzis Kabisch uses her personal story to challenge the anonymity of those images.&#xA;#favoritevideoessaysof2024&#xA;More here:&#xA;https://www.filmscalpel.com/getty-abortions/</description><pubDate>15 Jan 2025 13:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfrvrpgigk2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfrvfc4dvc2r</link><description>MAKEOVER MOVIE by Sue Ding compiles a long list of objections to the trope of the makeover montage and substantiates them with an impressive array of film excerpts. She also enlisted six childhood friends to give a running commentary on her video essay - a great idea.&#xA;#favoritevideoessaysof2024&#xA;https://vimeo.com/980403430</description><pubDate>15 Jan 2025 13:41 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfrvfc4dvc2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfruyp7dps2r</link><description>HEIMATFILM fashions excerpts from 50 different films into a hilarious supercut. Marion Kellmann deftly combines recurring situations and motifs, and boils the German genre down to its narrative, thematic and iconographic essence.&#xA;#favoritevideoessaysof2024&#xA;More here:&#xA;www.filmscalpel.com/heimatfilm/</description><pubDate>15 Jan 2025 13:34 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfruyp7dps2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfruoa5f6k2r</link><description>MEANWHILE IN LOS SANTOS (DISSOCIATION NATION) is a mod for Grand Theft Auto V that shifts the focus to NPCs (non-player characters, the extras of the gaming world). Their interior monologues are a critique of GTA’s design.&#xA;#favoritevideoessaysof2024&#xA;More here:&#xA;https://www.filmscalpel.com/meanwhile-in-los-santos-dissociation-nation/</description><pubDate>15 Jan 2025 13:28 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfruoa5f6k2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfrugfkgqc2r</link><description>LIGHT HANDS is an excellent example of how to revitalise archival footage in a video essay. Historian Lily Ford delves into the Imperial War Museum’s collection of footage of women building airplanes during WWI. She engages with it in a creative and speculative manner.&#xA;#favoritevideoessaysof2024&#xA;https://vimeo.com/921996906</description><pubDate>15 Jan 2025 13:24 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfrugfkgqc2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfru4nf3kk2r</link><description>THE RED GOD strings together footage of foxes recorded by a wildlife camera. Christine Rogers connects her videographic research to her Māori ancestry and her personal history, to decolonisation and the camera as imperial tool, to speciesism and the human/nonhuman divide.&#xA;#favoritevideoessaysof2024&#xA;https://vimeo.com/807957893</description><pubDate>15 Jan 2025 13:18 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfru4nf3kk2r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lfrty7o4g22r</link><description>DE SONT OF MJOEZIK is a live performance by Maria Zandvliet that translates videographic strategies to the stage. It turns the video essay into a fully embodied form of research. The result is an exhilarating study of fandom.&#xA;#favoritevideoessaysof2024&#xA;&#xA;More here:&#xA;https://www.filmscalpel.com/de-sont-of-mjoezik/</description><pubDate>15 Jan 2025 13:16 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lfrty7o4g22r</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lem33ynncc2u</link><description>Here&#39;s a great way to start 2025. The Museum of the Moving Image in New York is devoting a screening series to the video essay. From January 3 to 5, they will present four different programs. &#xA;My video essay THE APARTMENT is part of the second program (scheduled for Jan 4), called REMIXING NEW YORK.&#xA;https://movingimage.org/series/expanded-screens-the-video-essay/</description><pubDate>31 Dec 2024 12:42 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lem33ynncc2u</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lehdelju2k2c</link><description>On this day in 1986, Andrei Tarkovsky left us. He had spent only 54 years with us, but he sculpted that time into seven immortal feature films. Celebrate his legacy with this selection of ten video essays: http://filmscalpel.com/andrei-tarkovsky/</description><pubDate>29 Dec 2024 15:27 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lehdelju2k2c</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3ldlqdzsw2k22</link><description>Sight and Sound has published its annual poll of the year&#39;s most notable video essays. &#xA;@queline.bsky.social , @willwebbful.bsky.social, and @cydniiwilde.bsky.social tallied a total of 183 videos. Better start now if you plan to watch them all before the year ends. Or skip Christmas dinner.&#xA;https://www.bfi.org.uk/sight-and-sound/polls/best-video-essays-2024</description><pubDate>18 Dec 2024 16:05 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3ldlqdzsw2k22</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lcg7i7ohvs2s</link><description>On this day in 1930, Jean-Luc Godard was born. He was both film icon and iconoclast, movie rebel and royalty. Defining this chameleonic French provocateur is hard, but these ten video essays give it a go, focusing on different aspects of his output: www.filmscalpel.com/godard</description><pubDate>03 Dec 2024 17:54 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lcg7i7ohvs2s</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lc3zuewuz22q</link><description>On November 29, 1954, Joel Coen was born. His brother Ethan would join him three years later. Celebrate their combined creative output with this selection of video essays.&#xA;🧵&#xA;&#xA;(Big fan? There are even more on www.filmscalpel.com/coen-brothers/)</description><pubDate>29 Nov 2024 16:47 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lc3zuewuz22q</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbyupxjaw22y</link><description>On November 28, 1961, Alfonso Cuarón was born. He has directed just eight feature films but often does double duty on his movies. He&#39;s won Academy awards as director, producer, editor and cinematographer.&#xA;Here&#39;s a selection of half o dozen video essays to celebrate his birthday. &#xA;🧵📽️ #filmsky</description><pubDate>28 Nov 2024 10:37 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbyupxjaw22y</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbmylba7f22g</link><description>If you want to contribute to the newest volume of the Screen Stars Dictionary, then here&#39;s your chance. &#xA;Previous entries in this series of video essays can be found on the website of the Journal of Audiovisual Essays TECMERIN (see tinyurl.com/2f74a8ej).&#xA;&#xA;[contains quote post or other embedded content]</description><pubDate>23 Nov 2024 17:14 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbmylba7f22g</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbmmst2ka22w</link><description>On November 23, 1887, William Henry Pratt was born in London. He emigrated to Canada, then the US, where he pursued acting. In 1931 he rose to fame under his stage name Boris Karloff when he played Frankenstein&#39;s Creature. Celebrate his birthday with these Frankenstein-themed video essays. 🧵</description><pubDate>23 Nov 2024 13:44 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbmmst2ka22w</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbhsbvd6ok2m</link><description>Researcher and visual artist Roc Albalat traces the genealogy of modern AI visuals back to two 19th-century photography pioneers, Marey and Galton. His excellent video essay LATENCIES OF THE STATISTICAL IMAGE invites viewers to reflect on the ambitions and aspirations that underpin AI developments.&#xA;https://vimeo.com/924287718</description><pubDate>21 Nov 2024 15:38 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbhsbvd6ok2m</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbhhxfvs622j</link><description>Dust and lint, scratches and splice marks: what if you started focusing on those imperfections of celluloid film instead of the actual image? Such UNIDENTIFIED OBJECTS fascinate @sennahojottonib.bsky.social, and his hypnotic video essay does an excellent job conveying that fascination.&#xA;https://vimeo.com/1021436048</description><pubDate>21 Nov 2024 12:33 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbhhxfvs622j</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbhffj4bus2j</link><description>If you ever need to explain the concept of the uncanny, then this elegant video essay by @filmstudiesff.bsky.social and Lynda Nead is all you need. THE HAUNTED MIRROR illustrates Freud&#39;s definition of &#34;Das Unheimliche&#34; with shots from the 1945 anthology horror film Dead of Night.&#xA;https://vimeo.com/1024892367</description><pubDate>21 Nov 2024 11:48 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbhffj4bus2j</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbhe6b55o22j</link><description>The angry cadence of THE RHYTHMS OF RAGE is both catchy and cathartic. @barbarazecchi.bsky.social mixes dozens of film and tv clips of enraged women into a video essay that pulses powerfully.&#xA;https://vimeo.com/922779200</description><pubDate>21 Nov 2024 11:26 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbhe6b55o22j</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbh5z2rm3s2y</link><description>The video essay isn&#39;t that young anymore...&#xA;DUST is a Western supercut created in 2008 by Patrick Elliott. Patiently piecing together shots sourced from VHS tapes, he made a montage of Native Americans gathering for a &#34;last ride.&#34; The cowboys and settlers are conspicuously and deliberately absent.&#xA;https://vimeo.com/1031852211</description><pubDate>21 Nov 2024 09:35 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbh5z2rm3s2y</guid></item><item><link>https://bsky.app/profile/filmscalpel.bsky.social/post/3lbfajzcqt22f</link><description>Filmmaking is as pragmatic as it is creative. The song that plays over the closing credits of The Cry of the Owl is a case in point. CHOOSING DEATH ROW SONGS, a video essay by John Gibbs, explains how rights issues complicated the audio post-production of the film, but enriched the end result.&#xA;https://vimeo.com/828790081</description><pubDate>20 Nov 2024 15:15 +0000</pubDate><guid isPermaLink="false">at://did:plc:wp44idkbwva5bqobdcf5eopw/app.bsky.feed.post/3lbfajzcqt22f</guid></item></channel></rss>